THE NARRATIVE AND POLITICAL CORRECTNESS


Threats to freedom of speech, writing and action, though often trivial in isolation, are cumulative in their effect and, unless checked, lead to a general disrespect for the rights of the citizen. -George Orwell

Monday, September 3, 2012

THE BRILLIANCE OF EASTWOOD'S REBUKE OF OBAMA

There was an excellent article by Karl in the Green Room at Hot Air in which he points out that not only was Eastwood's performance not "weird" or caused by "dementia" as the Left (and certain back-stabbing so-called Eastwood "friends") would have you believe but was, in fact, really quite brilliant.  It may have even had an immediate effect on Florida voters.  Eastwood's monologue has also given rise to "Eastwooding," and National Empty Chair Day.   
This was the first part of Eastwood’s simple and effective argument. Eastwood points out — in a prodding, joking manner — that Obama was elected to bring peace and prosperity, but failed to bring either. That Eastwood may disagree with the GOP on some war issues is perfectly alright in this context, because, as suggested earlier and explored further below, Eastwood is not really targeting Republicans.

Eastwood then arrives at his Joe Biden joke: “Of course we all know Biden is the intellect of the Democratic party. Just kind of a grin with a body behind it.” That last part is not accidental in a performance featuring an empty chair. But the first part is even more dangerous. For the last 3+ years, we have been accustomed to having Biden as safe material for humor, while Obama has been kept off-limits. Eastwood leverages the latter into the former, suggesting that Sheriff Joe is the real brains of the operation. Ouch! No wonder Team Obama got annoyed enough to respond.
But perhaps the best indicators of how powerful Eastwood's debate with the empty chair really was can be found in the frenzied attempts to defend Obama by ridiculing Eastwood. The wicked satire even caused the Left's favorite comedians to pick sides in the argument, with Jon Stewart and Stephen Colbert mocking the monologue but Bill Maher (of all people) admitting that Eastwood "killed."  That's the highest possible praise one can receive from a comedian.  And for those who follow the Maher link and watch the clip, what's more ridiculous: Jason Alexander's objection to Maher's praise of Eastwood's performance...or the fake hair Jason has bought himself? He's become the kind of caricature that the Seinfeld show used to mock mercilessly.  


1 comment:

  1. To "know" Clint Eastwood as I do (favorite actor of all-time), his "performance" in this speech at the RNC was a masterful piece of art. He was totally "in character" and was beating the MSM, Hollyweird left and the Dimocrats like a drum. It was and always will be a treasured event to watch and listen to this American Legend speak or act. The instantaneous barbs coming from the left spoke volumes to the effectiveness of Mr. Eastwood's remarks. The "noise" continues and means Clint did more than just ok....
    Thank you Midnight Writer for "seeing" Clint's "performance" in the way he intended. Really good article with great links as always!

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